Coming soon

I'm launching with Spanda and Ākāśa first so I can test them properly. Agni is next.. have a look around, it's all real, it just isn't out yet.

Agni · distortion

Two engines. Ten shapes.

Two distortion engines, and each one picks from the same ten shapes. Then five ways to wire them, a feedback loop, a capture slot and cab IRs. Engine A can also turn into one of eight pedals.. I basically wanted my whole dirt rack in one box.

Take it apartHave a listenThe plots
Agni Valve rack skin rendered in 3D

Valve skin · rendered from the skin's own 3D plate

What's in here

Everything between clean and totally gone.

Engine A: shape selector and Drive knob
Master section with twin VU meters

Pedal models

Flip Engine A from Custom to a pedal: Clean Boost, Tight Boost, Overdrive, Fuzz, Filter Distortion, Distortion, Metal or Octave Fuzz. Each one gets the three knobs you expect, Drive, Tone and Level, from 0 to 10. I fitted them to analysis and community captures of real pedals, clean blend and tone circuits included. Octave Fuzz even has its own octave-up stage. Switch back to Custom and your own engine settings come right back.

8 pedals · Drive · Tone · Level

Two engines, ten shapes

Each engine grabs its own shape from the same ten: Soft, Hard, Diode, Fold, Rectify, Tube, Transistor, Germanium, Tape and Crush. Turn Drive and Bias and the scope draws the transfer curve live.. honestly I could watch that thing all day.

2 engines · 10 shapes

Routings, feedback and modulation

Five ways to wire the two engines together, and a feedback loop wrapped around both. Two modulators (LFO or envelope) can push drive, tone, bias or balance around while you play.

5 routings · feedback · 2 mods

Capture and cab

Drop a neural capture (.nam) in after the engines, with a gate and a tight, mid or bright voicing in front of it. Then blend two cab IRs to taste. Oh, and Render Quality lets offline bounces run at a higher oversampling than you play at.

Capture slot · cab A/B
Listen

Ok, have a listen.

Hit play and flip between Dry and Agni. I matched the loudness on both, so you're hearing what it actually does.. not just "louder sounds better".

Walkthrough Draft

Watch the walkthrough.

Both engines, the router, the loop, the amp and cab slots, and a tone in two minutes.

Analysis

I'd rather show you than tell you.

I ran every one of these offline through the plugin itself at 48 kHz. The settings I used are under each plot, so you can check my work.

Skins

Pick a finish.

These are straight from the plugin, no mockups. Click around.. I spent way too long on some of these.

Agni editor, Valve skin

Want to try Agni?

Trial's coming soon.. I'm almost there

VST3 · Windows 64-bit · licence, trial and signed updates right inside the plugin